My original take on this scene was a loud, late night pronouncement from Lester Bangs. A call to arms. In Phil’s hands it became something different. A scene about quiet truths shared between two guys, both at the crossroads, both hurting, and both up too late. It became the soul of the movie. In between takes, Hoffman spoke to no one. He listened only to his headset, only to the words of Lester himself. (His Walkman was filled with rare Lester interviews.) When the scene was over, I realized that Hoffman had pulled off a magic trick. He’d leapt over the words and the script, and gone hunting for the soul and compassion of the private Lester, the one only a few of us had ever met. Suddenly the portrait was complete. The crew and I will always be grateful for that front row seat to his genius.
i always tell the girls: never take it seriously. if you never take it seriously, you never get hurt. you never get hurt, you always have fun, and if you ever get lonely, just go to the record store and visit your friends.
La notizia buona di oggi è che stanno lavorando a Syberia 3.
E’ bello impegnarsi, dedicarsi completamente ad un qualcosa per capirne i meccanismi e il funzionamento …se solo non ti venisse la nausea al pensiero della faccia disgustata che farà il professore il giorno dell’esame.
- here’s my ‘life of christ’ in 10 gifs -
i left out the other two i made, so that i could make this little, tumblr-friendly packet. enjoy.
"Godspeed you! Black Lino"
Sappiamo tutti che la band post-rock hanno il vizio di inserire spezzoni di interviste, film, parti parlate in generale nelle loro canzoni…e cosa accadesse se i gy!be decidessero di inserire nella loro “Sleep” frasi di Lino Banfi?